ANDREW GOODWIN'S MUSIC VIDEO THEORY
Introduction
Andrew Goodwin was a theorist who came up with codes and conventions of music videos after analysing and comparing a variety of examples. He is most well known for the concept of the visuals within music visuals linking up with the music and the beat, and that music videos demonstrate genre characteristics. His work is something to bear in mind while creating my own music video.
Music Video Theory
Andrew Goodwin's theory consists of five key points that combine to create an successful music video. The points listed below form a base on which to start filming, making his work relevant to our coursework.
Example
Lady Gaga - Telephone ft. Beyonce
| Lyrics and Visuals Throughout the music video it is clear that the visuals do match the lyrics and the beat of the music. One example is the gif on the left, showing Lady Gaga singing about a phone call while acting with a phone prop. The lyrics in the scene say "Wha-wha-what did you say? Oh, you're breaking up on me", which clearly relates to the visuals. |
| Music and Visuals The music in the song does correlate to the visuals. One example of this is during Beyonce's segment of the song. You can see from the gif on the right, that the video makes use of fast paced editing to match the tempo of the music. |
| Genre Characteristics Fitting into the pop genre, the music video features locations such as a prison and a café. The costumes are dramatic, contrasting bright and dark colours. The characters are sexualised (through their outfits and actions), which is also typical for pop songs. |
| Star Image The music video features a lot of close up shots of both Lady Gaga and Beyonce, while they are singing, driving, dancing etc. It is made clear who the main artists are. |
| Voyeurism One aspect of voyeurism in this video is the setting. Prisons are often private and shut off places, with lots of security cameras. This reflects the notion of looking. |
| Intertextual references In the scene when Beyonce picks up Lady Gaga from prison and drives her to the diner, there is an intertextual reference to the "Pussy Wagon" from Quentin Tarantino's film Kill Bill (2003). |

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